• When?
  • Or

Now showing at Odeon Andover Anton Mill Road,Andover,Hampshire SP10 2RW 0871 224 4007

  • Birdman
  • Fifty Shades Of Grey
  • Focus
  • Kingsman: The Secret Service
  • RSC Live: Love's Labour's Won
  • The Second Best Exotic Marigold Hotel
  • The Second Best Exotic Marigold Hotel (Subtitled)
  • The Theory Of Everything
  • Whiplash

Birdman 5 stars

movie title

Riggan Thomson rose to fame playing a superhero called Birdman in three blockbuster films in the 1990s. Twenty years later, his career is stagnant and he is determined to establish himself as a serious artist by directing, writing and starring in a Broadway staging of Raymond Carver's short story What We Talk About When We Talk About Love. As opening night approaches, petty squabbles between Riggan and his cast - including Broadway star Mike Shiner - threaten to derail the vanity project.

  • GenreComedy, Drama, Indie, Romance
  • CastMichael Keaton, Zach Galifianakis, Edward Norton, Emma Stone, Naomi Watts, Andrea Riseborough.
  • DirectorAlejandro Gonzalez Inarritu.
  • WriterAlejandro Gonzalez Inarritu, Nicolas Giacobone, Alexander Dinelaris, Armando Bo.
  • CountryUS
  • Duration119 mins
  • Official sitewww.birdmanthemovie.com
  • Release26/12/2014 (selected London cinemas); 01/01/2015 (nationwide)

According to Konstantin Stanislavski and Lee Strasberg, two founding fathers of method acting, the best performers possess the rare ability to channel deeply personal recollections and emotions through their characters. These actors don't just play a role as written, they share every breath and straining sinew with their alter ego.

In Birdman, Michael Keaton inhabits the role of a middle-aged Hollywood star, whose glory days as a big screen superhero are long behind him. It's the role of a lifetime for Keaton - the role of his lifetime, no less, nodding and winking to his two stints behind Batman's cowl under director Tim Burton in the late 1980s and early 1990s.

Art and real life playfully blur in Alejandro Gonzalez Inarritu's technically dazzling comedy, which was shot on location in New York. In one of the film's bravura handheld sequences, Keaton strides purposefully through crowded, neon-lit Times Square in just his underpants as tourists clamour with their mobile devices. Literally and figuratively, he bares his soul.

Inarritu and cinematographer Emmanuel Lubezki, who deservedly won an Oscar for sci-fi thriller Gravity, meticulously splice together each interlude to resemble a single, unbroken 119-minute shot.

If you look closely, you can see the joins but, as a feat of split-second timing, balletic choreography and directorial brio, Birdman is jaw-dropping - right down to the moment the camera casually pans to a drummer on the street playing the same beats and rolls of Antonio Sanchez's improvised jazz score.

Riggan Thomson (Keaton) rose to fame playing a superhero called Birdman in three blockbuster films. Twenty years later, he masterminds a comeback with nervy producer Jake (Zach Galifianakis) by directing, writing and starring in a Broadway production of Raymond Carver's short story What We Talk About When We Talk About Love.

As opening night approaches and revered critics including Tabitha Dickinson (Lindsay Duncan) prepare to deliver their waspish verdict, petty squabbles between Riggan and his cast - popular Broadway star Mike Shiner (Edward Norton), leading lady Lesley (Naomi Watts) and current squeeze Laura (Andrea Riseborough) - threaten to derail the vanity project.

The leading man struggles to keep personal demons at bay, exacerbated by fractious exchanges with his spirited daughter Sam (Emma Stone).

Accompanied by a rambling voiceover from Riggan that reflects the character's mental unravelling, Birdman is a wickedly funny satire of a world of overinflated egos and barely concealed vices.

Performances are uniformly excellent, from Keaton's career-revitalising turn to Stone's fearless portrayal of a recovering drug addict and Norton's hilarious embodiment of an artist, who believes that, "popularity is just the slutty little cousin of prestige".

Peppered with affectionate verbal barbs aimed at Hollywood's current glitterati, Inarritu's picture is crammed to bursting with self-referential treats that demand a second and third viewing. Birdman is the post-Christmas gift that keep on giving.

Showtimes (Click time to book tickets)

Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

Fifty Shades Of Grey 3 stars

movie title

As a favour to her roommate Kate, literature student Anastasia Steele interviews handsome and charming multimillionaire businessman Christian Grey. Anastasia is bewitched by Christian and makes clear her desire for him. In order to get closer to the object of her amorous affections, the student submits to Christian and he introduces her to an erotically charged world of submission, domination, lust and temptation.

  • GenreAdaptation, Romance, Thriller
  • CastDakota Johnson, Jennifer Ehle, Jamie Dornan, Rita Ora, Marcia Gay Harden.
  • DirectorSam Taylor-Johnson.
  • WriterKelly Marcel.
  • CountryUS
  • Duration125 mins
  • Official sitewww.fiftyshadesmovie.com
  • Release13/02/2015

With its simplistic storyline about a naive heroine drawn to a dark, brooding hunk, who conceals monstrous desires, Fifty Shades Of Grey is Twilight with riding crops and plush furnishings. Sam Taylor-Johnson's flaccid film version of the EL James literary sensation preaches to the perverted in soft-core whimpers and sighs. Editor Lisa Gunning gently caresses each glossy sequence of writhing appendages to the strains of Danny Elfman's score or a soaring ballad from Annie Lennox and Sia. "Got me looking so crazy in love," purrs Beyonce beneath the picture's first impeccably lit montage of gym-toned flesh on flesh. Sadly the carnal abandon in her lyrics fails to translate as lustful hanky-spanky on the big screen. The plot is handcuffed tightly to the book. As a favour to her flu-riddled roommate Kate (Eloise Mumford), English Literature student Anastasia Steele (Dakota Johnson) interviews handsome billionaire Christian Grey (Jamie Dornan) for an article in the university newspaper. Anastasia is intoxicated but Christian initially pushes her away. "I'm not the man for you. You have to steer clear of me," he whispers. Irresistibly drawn to the businessman, Anastasia agrees to a date and Christian spirits her away to his red room festooned with S&M toys via a flight on his private helicopter. As she takes her first ride on his chopper to the throb of Ellie Goulding's chart-topping hit Love Me Like You Do, Taylor-Johnson's film reduces to an orgy of product placements and glossy fantasies that wouldn't look too shabby as TV commercials for luxury cars, designer fragrances or crumbly, flaky confectionery. Only in Taylor-Johnson's film, the beautiful heroine, who bites her lower lip as lazy shorthand for anticipatory sexual pleasure, wants to unwrap Dornan's sculpted torso rather than a glistening slab of milk chocolate. "I'm incapable of letting you go," confides Christian as he introduces wide-eyed Anastasia to his secret world of domination and submission, which didn't get UK censors hot under the collar, passing the film uncut. Nor me. I was more aroused by the immaculate shine on Christian's piano than anything in his boudoir of bondage: a set designer must have spent hours buffing those ivories. When Dornan and Johnson are fully clothed and enjoying comical scenes of flirtation, they kindle smouldering screen chemistry. As soon as one of them disrobes, those embers are extinguished. Kelly Marcel's script fails to flesh out the protagonists: Christian remains an enigma and Dornan gamely keeps a straight face as he barks lines like, "If you were mine, you wouldn't be able to sit down for a week." The usual sexual inequality about on-screen nudity applies. While Johnson is depicted full frontal, Dornan's johnson remains artfully hidden by his co-star's creamy thighs or high thread-count bed sheets. In an early scene, Ana's roommate excitedly demands the lowdown on Christian and the heroine coolly responds that he was nice, courteous and clean. That's a fair summation of the film: two hours of polite, functional, beautifully shot foreplay that fails to locate the G-spot.

Showtimes (Click time to book tickets)

Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

Focus 3 stars

movie title

Nicky is a seasoned master of misdirection, who can charm even the most cynical targets into falling for his money-making schemes. He becomes romantically entangled with novice con artist Jess but realises that his feelings are clouding his judgement. So Nicky promptly ends terminates the relationship. Three years later, Nicky is in Buenos Aires at a race car circuit for a lucrative ruse. The stakes are high... then Jess reappears and throws the con man off his game.

  • GenreComedy, Drama, Romance, Thriller
  • CastWill Smith, Margot Robbie, Rodrigo Santoro, Gerald McRaney, BD Wong.
  • DirectorJohn Requa, Glenn Ficarra.
  • WriterJohn Requa, Glenn Ficarra.
  • CountryUS
  • Duration105 mins
  • Official sitewww.focusmovie.com
  • Release27/02/2015

The con men and women who bluff, distract and double-cross in Glenn Ficarra and John Requa's light-fingered drama, operate by clearly defined rules. They perform hundreds of petty thefts rather than one major heist because there is safety in volume, they refuse to steal from the vulnerable, and they never allow sentiment to cloud their cold-hearted, cash-oriented judgement.

"Love will get you killed in this racket," grizzles one veteran of the hustle. It's surprising then that Ficarra and Requa ignore their character's pithy advice and stake heavily on a fraught romance between their anti-hero, a consummate con man, and his sassy sex-bomb protegee.

The writer-directors' gamble might have paid off if lead actors Will Smith and Margot Robbie were gifted snappier dialogue, and their bedroom scenes were choreographed with passion rather than softly-lit precision to kindle smouldering on-screen chemistry.

As it is, the biggest con in Focus is not the climactic swindle, which strenuously tests the bonds of honour between thieves, but the sizzle of that central relationship, which supposedly pushes both characters to the edge of reason.

Nicky Spurgeon (Smith) is a master of misdirection, who can sweet-talk cynical targets into falling for his money-making schemes. Aided by a large crew of pickpockets and accomplices including right-hand man Horst (Brennan Brown) and technical wizard Farhad (Adrian Martinez), Nicky follows the money.

During carnival season, he operates out of New Orleans and becomes amorously entangled with novice Jess Barrett (Robbie). "You get their focus, take whatever you want," explains Nicky, teaching her the tricks of his shady trade.

After one major sting, Nicky acknowledges his distracting feelings for Jess and he terminates the relationship. Three years later, Nicky is in Buenos Aires at a race car circuit for a scam involving team owners Garriga (Rodrigo Santoro) and McEwen (Robert Taylor).

The stakes are high and Garriga is protected by a straight-shooting bodyguard called Ownes (Gerald McRaney), who thinks sleep is for wimps. "I'll lie down when I get cancer or when I have sex," snarls the heavy. Just as Nicky is poised to initiate his elaborate scheme, Jess reappears and throws the veteran con man into an emotional tailspin.

Focus is a familiar tale of old scoundrels performing new tricks, which lacks the erotic charge of the co-directors' previous film, Crazy, Stupid, Love. Robbie is luminous and makes Smith seem lifeless, confirming her ability to steal a film after eye-catching work opposite Leonardo DiCaprio in The Wolf Of Wall Street.

Ficarra and Requa engineer a dramatic crescendo at the end of the first hour against the backdrop of an American football game. The second act in Argentina is an anti-climax by comparison that plays its winning hand far too early. In the absence of jeopardy, we lose everything, especially interest.

Showtimes (Click time to book tickets)

Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

Kingsman: The Secret Service 3 stars

movie title

Gary Unwin, who is known to his friends as Eggsy, is on the downward spiral to drugs and crime. He is dismissed as a hopeless cause by everyone except agent Harry Hart, who believes Eggsy would make an excellent crime-fighting operative. So Hart takes Eggsy under his wing and enrols the young man in a gruelling training programme against more eloquent and refined peers.

  • GenreAction, Adventure, Comedy
  • CastColin Firth, Taron Egerton, Michael Caine, Mark Strong, Jack Davenport, Samuel L Jackson, Tom Prior, Mark Hamill.
  • DirectorMatthew Vaughn.
  • WriterMatthew Vaughn, Jane Goldman.
  • CountryUS/UK
  • Duration129 mins
  • Official sitewww.kingsmanmovie.com
  • Release29/01/2015

Directed at full pelt by Matthew Vaughn, Kingsman: The Secret Service is an outrageous James Bond-esque caper with an unpleasant and sadistic streak. This hare-brained tale about a secret organisation of impeccably tailored British agents dedicated to world peace lampoons the conventions of the spy genre with an arched eyebrow.

"Nowadays, they're all a little serious for my taste," opines Colin Firth's lead operative about modern-day spy films, one of several self-referential winks in Vaughn and Jane Goldman's script. "Give me a far-fetched plot any day," he quips, and that's just what Kingsman delivers in spades.

Unfortunately, the film also serves up a blitzkrieg of gratuitous on-screen barbarity. The violence doesn't support the plot, the plot is constructed to support as much wanton carnage as Vaughn can cram into each frame.

This stomach-churning slaughter reaches a nauseating crescendo in a Southern church where Firth's good guy squares off against a congregation of brain-washed bigots, racists and homophobes, who apparently deserve to die in lurid close-up while Lynyrd Skynyrd's Free Bird strums on the soundtrack. The film was cut by UK censors to secure a 15 certificate but I wouldn't want my nephews, if they were 15 or 16, anywhere near Vaughn's giddy bloodbath.

Gary Unwin (Taron Egerton), who is known to friends as Eggsy, is on a downward spiral despite an impressive IQ. He is powerless to stop his mother Michelle (Samantha Womack) suffering abuse from her boyfriend (Geoff Bell), and a spot of joy-riding leads to a brief stay in a police cell.

Eggsy is dismissed as a hopeless cause by everyone except dapper secret agent Harry Hart (Colin Firth), who believes the young man has untapped potential as a crime-fighter. So Hart enrols Eggsy in a gruelling training programme against sneering posh lads Charlie (Edward Holcroft), Barnaby (Matthew William Jones) and Hugo (Tom Prior), and friendlier rivals Grace (Sophie Cookson) and Roxy (Alisha Heng).

The recruits test their strength and guile in a series of challenges devised by gadget geek Merlin (Mark Strong). Against the odds, Eggsy shines brighter than some of the supposed creme de la creme and when technological wizard Valentine (Samuel L Jackson) and his blade runner henchwoman Gazelle (Sofia Boutella) threaten mankind with a radical solution to climate change, Eggsy puts his training to good use alongside his stiff upper-lipped mentor.

Kingsman: The Secret Service leaves an exceedingly nasty taste in the mouth that is difficult to shake, garnished with crude sexism in the closing frames. Firth is a debonair action hero, contrasting sharply with Egerton's bad boy from the wrong side of the tracks.

Jackson has fun with his lisping megalomaniac, who gags at the sight of blood. If we did the same watching Vaughn's undeniably stylish film, we'd all need urgent medical assistance inside the first 20 minutes.

Showtimes (Click time to book tickets)

Tuesday 3rd March 2015
Thursday 5th March 2015

RSC Live: Love's Labour's Won 3 stars

Benedick and Claudio return from the trenches weary with the world, and find themselves reacquainted with Beatrice and Hero in Shakespeare's comic romance, which has been reset to the autumn of 1918. Christopher Luscombe's production is broadcast live from Stratford-upon-Avon with Edward Bennett as Benedick and Michelle Terry as his sparring partner Beatrice.

  • GenreAdaptation, Comedy, Romance, Special
  • CastMichelle Terry, Tunji Kasim, Flora Spencer-Longhurst, Edward Bennett.
  • DirectorChristopher Luscombe.
  • WriterWilliam Shakespeare.
  • CountryUK
  • Duration140 mins
  • Official siteonscreen.rsc.org.uk/loves-labours-won/
  • Release04/03/2014 (selected cinemas)

Showtimes (Click time to book tickets)

Wednesday 4th March 2015

The Second Best Exotic Marigold Hotel 4 stars

movie title

Sonny and his business partner Muriel consider expanding into a second hotel to cope with demand, aided by Douglas and Evelyn. The arrival of an American writer called Guy sends Madge into a swoon while Sonny has lots to keep him occupied with his impending nuptials to the beautiful Sunaina. Douglas and Evelyn's romance continues to develop but the course of true love, even in twilight years, never runs smooth.

  • GenreComedy, Drama, Romance
  • CastRichard Gere, Bill Nighy, Dame Maggie Smith, Ronald Pickup, Tamsin Greig, Penelope Wilton, Dev Patel, Tena Desae, Dame Judi Dench, Celia Imrie, Lillete Dubey.
  • DirectorJohn Madden.
  • WriterOl Parker.
  • CountryUS/UK
  • Duration122 mins
  • Official sitewww.facebook.com/marigoldhotel
  • Release26/02/2015

Towards the end of The Second Best Exotic Marigold Hotel, a secret inspector is asked for an honest assessment of Jaipur's luxury development for residents in their golden years. The inspector concludes that behind the scenes, management of the hotel is shambolic but unerring affection for the staff makes it a four-star destination for "the elderly and beautiful".

The same honest appraisal applies to John Madden's entertaining sequel: Ol Parker's script is haphazard and several plot strands are flimsy but our emotional investment in the characters papers over the cracks.

Audiences who check in to this second chapter will be treated to the same pungent Jaipur backdrops and good-humoured service, with a fresh lick of dramatic paint courtesy of new arrivals, played with easy-going charm by Tamsin Greig and Richard Gere.

The dashing star of American Gigolo and Pretty Woman takes on sex symbol status here, causing groom-to-be Sonny (Dev Patel) to quip, "The man is so handsome, he has me urgently questioning my own sexuality." At 65 years old, Gere evidently still has it.

While the first film was lovingly adapted from Deborah Moggach's novel These Foolish Things, The Second Best Exotic Marigold Hotel tumbles straight out of the scriptwriter Parker's imagination. He struggles to provide each resident with a compelling narrative arc: some are surplus to requirements while others relish the trials and tribulations that test fledgling romances and fractious friendships to breaking point.

Sonny and business partner Muriel (Maggie Smith) travel abroad to seek investment for a second hotel from business chief Ty Burley (David Strathairn) and return to India, mindful that funding is dependent on a review from a secret inspector.
"How was America?" asks Evelyn (Judi Dench), welcoming them home.
"It made death more tempting," retorts Muriel.

English traveller Lavinia (Greig) and American novelist Guy (Gere) arrive soon after and Sonny is convinced that Guy must be the inspector so he ignores Lavinia and lavishes attention on the writer. Guy's arrival sends Madge (Celia Imrie) into a swoon - "Lordy lord, have mercy on my ovaries!" she swoons - while Douglas (Bill Nighy) struggles to communicate his feelings to Evelyn.

Meanwhile, Sonny is pre-occupied with his impending nuptials to Sunaina (Tina Desai) and a simmering rivalry for his fiancee's affections from snake-hipped family friend Kush (Shazad Latif).

The Second Best Exotic Marigold Hotel delivers the same winning formula of laughter and tears, eliciting strong performances from Dench, Nighy and Smith at her acid-tongued, indomitable best.

The course of true love, even in twilight years, never runs smooth and Parker composes variations on a theme of amour, while peppering his script with pithy one-liners. "There is no present like the time," professes one wise soul. Madden's film is certainly a gift: you get everything you expect but nothing more.

Showtimes (Click time to book tickets)

Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

The Second Best Exotic Marigold Hotel (Subtitled) 4 stars

movie title

Sonny and his business partner Muriel consider expanding into a second hotel to cope with demand, aided by Douglas and Evelyn. The arrival of an American writer called Guy sends Madge into a swoon while Sonny has lots to keep him occupied with his impending nuptials to the beautiful Sunaina. Douglas and Evelyn's romance continues to develop but the course of true love, even in twilight years, never runs smooth.

  • GenreComedy, Drama, Romance
  • CastDame Maggie Smith, Richard Gere, Ronald Pickup, Tamsin Greig, Penelope Wilton, Dev Patel, Tena Desae, Bill Nighy, Dame Judi Dench, Celia Imrie, Lillete Dubey.
  • DirectorJohn Madden.
  • WriterOl Parker.
  • CountryUS/UK
  • Duration122 mins
  • Official sitewww.facebook.com/marigoldhotel
  • Release26/02/2015

Towards the end of The Second Best Exotic Marigold Hotel, a secret inspector is asked for an honest assessment of Jaipur's luxury development for residents in their golden years. The inspector concludes that behind the scenes, management of the hotel is shambolic but unerring affection for the staff makes it a four-star destination for "the elderly and beautiful".

The same honest appraisal applies to John Madden's entertaining sequel: Ol Parker's script is haphazard and several plot strands are flimsy but our emotional investment in the characters papers over the cracks.

Audiences who check in to this second chapter will be treated to the same pungent Jaipur backdrops and good-humoured service, with a fresh lick of dramatic paint courtesy of new arrivals, played with easy-going charm by Tamsin Greig and Richard Gere.

The dashing star of American Gigolo and Pretty Woman takes on sex symbol status here, causing groom-to-be Sonny (Dev Patel) to quip, "The man is so handsome, he has me urgently questioning my own sexuality." At 65 years old, Gere evidently still has it.

While the first film was lovingly adapted from Deborah Moggach's novel These Foolish Things, The Second Best Exotic Marigold Hotel tumbles straight out of the scriptwriter Parker's imagination. He struggles to provide each resident with a compelling narrative arc: some are surplus to requirements while others relish the trials and tribulations that test fledgling romances and fractious friendships to breaking point.

Sonny and business partner Muriel (Maggie Smith) travel abroad to seek investment for a second hotel from business chief Ty Burley (David Strathairn) and return to India, mindful that funding is dependent on a review from a secret inspector.
"How was America?" asks Evelyn (Judi Dench), welcoming them home.
"It made death more tempting," retorts Muriel.

English traveller Lavinia (Greig) and American novelist Guy (Gere) arrive soon after and Sonny is convinced that Guy must be the inspector so he ignores Lavinia and lavishes attention on the writer. Guy's arrival sends Madge (Celia Imrie) into a swoon - "Lordy lord, have mercy on my ovaries!" she swoons - while Douglas (Bill Nighy) struggles to communicate his feelings to Evelyn.

Meanwhile, Sonny is pre-occupied with his impending nuptials to Sunaina (Tina Desai) and a simmering rivalry for his fiancee's affections from snake-hipped family friend Kush (Shazad Latif).

The Second Best Exotic Marigold Hotel delivers the same winning formula of laughter and tears, eliciting strong performances from Dench, Nighy and Smith at her acid-tongued, indomitable best.

The course of true love, even in twilight years, never runs smooth and Parker composes variations on a theme of amour, while peppering his script with pithy one-liners. "There is no present like the time," professes one wise soul. Madden's film is certainly a gift: you get everything you expect but nothing more.

Showtimes (Click time to book tickets)

Thursday 5th March 2015

The Theory Of Everything 4 stars

movie title

Theoretical physicist Stephen Hawking falls head over heels in love with English literature student Jane Wilde at 1960s Cambridge University. Their fledgling romance is tested by his diagnosis with motor neurone disease. Stephen's parents Frank and Isobel try to warn Jane off their son, fearful of emotional devastation that will be wrought if he dies within the two years predicted by doctors. However, she defies everyone, determined to love Stephen for as long as they are together.

  • GenreAdaptation, Biography, Drama, Romance
  • CastEddie Redmayne, Felicity Jones, Charlie Cox, Emily Watson, Simon McBurney, David Thewlis.
  • DirectorJames Marsh.
  • WriterAnthony McCarten.
  • CountryUK
  • Duration123 mins
  • Official site
  • Release01/01/2015

In Scottish novelist JM Barrie's most beloved work, Peter Pan famously contemplates his mortality on Marooner's Rock and observes, "To die will be an awfully big adventure". For more than half a century since he was diagnosed with motor neurone disease, theoretical physicist Stephen Hawking has - happily - pushed aside his awfully big adventure and astounded the medical community.

Defying the short life expectancy associated with the rare condition, he has married twice, raised a family and altered our narrow perception of the universe including the publication of his worldwide bestseller, A Brief History Of Time.

As Hawking remarked at a press conference in 2006, "However bad life may seem, there is always something you can do, and succeed at. While there's life, there is hope." Those inspirational words are repeated verbatim in The Theory Of Everything.

Based on the memoir Travelling To Infinity by Jane Wilde Hawking, James Marsh's deeply moving drama charts the romance of Stephen (Eddie Redmayne) and first wife Jane (Felicity Jones) from fleeting glances at a party at mid-1960s Cambridge University through their subsequent battle against MND.

Stephen's parents Frank (Simon McBurney) and Isobel (Abigail Cruttenden) initially warn Jane off their son, fearful of the emotional devastation that will be wrought if he dies within the two years predicted by doctors. "It's not going to be a fight, Jane. It's going to be a very heavy defeat, for all of us," laments Frank.

Love must find a way and Jane defies everyone, even a pessimistic Stephen, to stand beside her soul mate. "I want us to be together, for as long as we've got," she tells him. "If that's not very long then - well, that's just how it is."

Her resolve inspires Stephen to continue his search for "one single elegant equation to explain everything". Aided by choirmaster Jonathan Jones (Charlie Cox) and carer Elaine Mason (Maxine Peake), Jane raises the couple's three children and holds their marriage together.

The Theory Of Everything is anchored by two of the year's best performances. Redmayne is simply astounding, affecting a mesmerising physical transformation that surely warrants an Oscar. He brilliantly conveys every raw emotion or flash of impish humour with his eyes or the twitch of a facial muscle.

Jones is equally compelling as his soul mate, who sacrifices everything in the name of love. The scene in which she finally acknowledges hard-fought defeat to save the relationship and tearfully tells Stephen, "I have loved you... I did my best," is heartbreaking.

Director Marsh uses simple visual motifs to illuminate the complex cosmology, such as a swirl of cream in a cup of coffee to represent a spiral galaxy in Stephen's mind. With its delicate balance of tear-stained drama, deeply felt romance and comedy, The Theory Of Everything hits upon a winning formula.

Showtimes (Click time to book tickets)

Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

Whiplash 5 stars

movie title

Nineteen-year-old Andrew Neiman is determined to be the top drummer at his music conservatory. So he practices night and day and catches the eye of the school's most revered and feared teacher, Terence Fletcher, who is well known for terrorising students that don't meet his idea of perfection. Soon after, Fletcher requests that Andrew transfers into his class and he becomes the alternate drummer. When the opportunity arises for Andrew to prove himself, he rises to the occasion.

  • GenreDrama, Film, Musical, Romance
  • CastMelissa Benoist, Miles Teller, Paul Reiser, JK Simmons, Austin Stowell.
  • DirectorDamien Chazelle.
  • WriterDamien Chazelle.
  • CountryUS
  • Duration106 mins
  • Official sitewww.sonyclassics.com/whiplash/
  • Release16/01/2015

The fresh paint of 2015 has barely dried and already we have a strong contender for the film of the year. Inspired by writer-director Damien Chazelle's experiences in a fiercely competitive high school jazz band, Whiplash is an electrifying tale of a 19-year-old drummer's bruising battle of wits with his monstrous college tutor.

As the title intimates, pain is acute in Chazelle's lean script that pulls no punches in its depiction of the pursuit of musical excellence, which propels the self-destructive student to the brink of a mental and physical breakdown.

Drumming sequences are edited at a frenetic pace, spattered with the real sweat of lead actor Miles Teller, who performs all of the energy-sapping solos as if his life depended on it. It's a bravura performance complemented by JK Simmons' jaw-dropping portrayal of the foul-mouthed, bullying conductor, who verbally abuses students that fall short of his impossible demands for metronomic and percussive perfection.

Staring at his terrified charges, Simmons' musician-turned-mentor preys upon teenage fears and insecurities, kindling intense rivalry between band members for his own sadistic pleasure. Early in the film, he picks on one nervous trombonist's weight and snarls, "I will not let you cost us a competition because your mind's on a Happy Meal and not on pitch." He's just getting warmed up.

Nineteen-year-old Andrew Neiman (Teller) is determined to excel at his Manhattan music conservatory and avoid the regrets which haunt his writer father (Paul Reiser). So he practises night and day and catches the eye of the school's most revered teacher, Terence Fletcher (Simmons).

Soon after, Andrew transfers to Fletcher's class and becomes the alternate drummer in the band behind lead player Carl (Nate Lang). When the opportunity arises for Andrew to impress, he rises to the occasion but alienates himself from the rest of the band.

A fledgling romance with Nicole (Melissa Benoist), who works at Andrew's local cinema, is sacrificed in a cold, cruel fashion that would have Fletcher smacking his lips with glee. The game of one-upmanship between teacher and pupil spirals out of control as Andrew struggles to meet the lofty expectations of his maniacal mentor and earn the right to play at a concert in the rarefied surroundings of Carnegie Hall.

Whiplash delivers one emotional wallop after another as Andrew practises until his hands bleed and Simmons belittles those herculean efforts by growling, "Is that the fastest you can go? It is no wonder Mommy ran out on you!"

We root for the beleaguered 19-year-old with every display of frenzied stick-work, urging Andrew to wipe the smug grin off Fletcher's face. Our investment in the characters is immense and Chazelle rewards us with an astounding denouement that saps every ounce of energy from our bodies. We're delirious, euphoric and physically spent.

Showtimes (Click time to book tickets)

Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015
About cookies

We want you to enjoy your visit to our website. That's why we use cookies to enhance your experience. By staying on our website you agree to our use of cookies. Find out more about the cookies we use.

I agree