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Now showing at Odeon Andover Anton Mill Road,Andover,Hampshire SP10 2RW 0871 224 4007

  • A Most Wanted Man
  • A Walk Among The Tombstones
  • Before I Go To Sleep
  • Guardians Of The Galaxy
  • How To Train Your Dragon 2
  • Let's Be Cops
  • Let's Be Cops (Subtitled)
  • NT Live Encore Screening: Medea
  • Pride
  • Sex Tape
  • Tarzan
  • The Boxtrolls
  • The Boxtrolls (Subtitled)
  • The Boxtrolls 3D
  • The Guest
  • The House Of Magic
  • The Hundred-Foot Journey
  • The Riot Club

A Most Wanted Man 4 stars

movie title

German intelligence operative Gunther Bachmann hopes to identify and break up terrorist cells by extracting information from the local Muslim community. He believes but cannot prove that philanthropist Dr Abdullah is channelling funds to one such cell. The surveillance operation on Abdullah becomes complicated when Chechen refugee Issa Karpov enters Hamburg illegally and is identified as a terrorist by Russian intelligence.

  • GenreAdaptation, Drama, Thriller
  • CastRachel McAdams, Robin Wright, Philip Seymour Hoffman, Willem Dafoe, Daniel Bruhl, Nina Hoss, Homayoun Ershadi, Grigory Dobrygin.
  • DirectorAnton Corbijn.
  • WriterAndrew Bovell.
  • CountryUK/US/Ger
  • Duration121 mins
  • Official sitewww.amostwantedmanmovie.com
  • Release12/09/2014

Great actors don't just play a role, they become the role, vanishing beneath the skin of a character so every word and gesture appears organic. Philip Seymour Hoffman was one such rare talent. On stage and screen, his emotional range and versatility were breath-taking including a bravura embodiment of Truman Capote that won him the triple whammy of BAFTA, Golden Globe and Academy Award.

He was heart-breaking as a boom-mike operator in Boogie Nights, whose crush on a porn star ends in humiliating rejection, hilarious as a maverick CIA agent in Charlie Wilson's War and monstrous as a charismatic cult leader in The Master. Each physically and emotionally demanding role fitted him like a glove.

A Most Wanted Man is distinguished by Hoffman's final performance in a leading role and it's a typically understated yet riveting portrayal of a German intelligence agent, who lives on his nerves and occasional swigs of whisky or puffs of a cigarette.

Based on the 2008 novel of the same name by John Le Carre, Anton Corbijn's slow-burning espionage thriller steadily cranks up the tension, building to a nerve-jangling finale that has us holding our breaths.

Chechen refugee Issa Karpov (Grigory Dobrygin) enters Hamburg illegally and seeks refuge with a kind Turkish woman (Derya Alabora) and her son (Tamer Yigit). They put Issa in touch with immigration lawyer Annabel Richter (Rachel McAdams) and Tommy Brue (Willem Dafoe), who is head of the private bank used by Issa's sadistic father to store his ill-gotten coffers.

German intelligence operative Gunther Bachmann (Hoffman) and his team comprising right-hand woman Irna Frey (Nina Hoss) and juniors Maximillian (Daniel Bruhl) and Niki (Vicky Kreps) identify Issa as an escaped militant jihadist.

They choose not to arrest him but use Issa as bait to snag Muslim academic and philanthropist Dr Faisal Abdullah (Homayoun Ershadi), who is suspected of channelling funds to terrorist Islamic organisations. Gunther and his team exert pressure on Richter and Brue to coerce Issa into donating his father's money to Abdullah.

However, the plan doesn't unfold smoothly and Gunther's operation faces intense scrutiny from high-ranking CIA operative Martha Sullivan (Robin Wright), whose view of humanity is summed up when she observes, "Every good man has a little bit of bad, doesn't he?"

Like the 2011 film adaptation of Le Carre's Tinker Tailor Soldier Spy, A Most Wanted Man delights in the minutiae of the spy game. Expertly choreographed scenes of surveillance are punctuated by verbal fireworks and threats of violence.

Corbijn refuses to be rushed - even when he is orchestrating a chase by train and car, which is as close as the film comes to a conventional action sequence. Hoffman's nuanced, world-weary performance is complemented by a uniformly excellent international cast. It's a splendid swansong.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

A Walk Among The Tombstones 3 stars

When a shootout with robbers ends in tragedy, booze-sodden NYPD cop Matt Scudder hangs up his badge and gets sober with the help of AA then re-invents himself as a private investigator. He is hired by Kenny Kristo to track down the sadistic kidnappers, who demanded a hefty ransom for his wife Carrie, took the money and still killed their terrified captive. In the course of his enquiries, Matt befriends homeless teenager TJ, who wants to learn how to be a detective.

  • GenreAction, Adaptation, Thriller
  • CastLiam Neeson, David Harbour, Dan Stevens, Adam David Thompson, Boyd Holbrook, Brian 'Astro' Bradley.
  • DirectorScott Frank.
  • WriterScott Frank.
  • CountryUS
  • Duration114 mins
  • Official sitewww.awalkamongthetombstones.net
  • Release19/09/2014

A grizzled private detective meets his match in a pair of sadistic kidnappers in Scott Frank's gritty thriller. Adapted from Lawrence Block's novel of the same name, A Walk Among The Tombstones establishes its grim tone with soft-focus opening credits depicting a blonde woman (Laura Birn) rousing from slumber under the gentle caress of her lover. As the camera pulls back, we notice a tear trickle down the woman's porcelain cheek and a strip of metallic tape across her mouth, transforming a beatific dream into a nightmare of intolerable cruelty. Unspeakably bad things continue to happen to good people throughout Frank's film without any guarantee that justice will prevail. Liam Neeson wades through this moral quagmire in typically robust fashion as the private eye, who risks his life for clients in order to atone for one particular sin committed during his inglorious past as an NYPD cop. The role is more cerebral than the gung-ho avenging angels in the Taken series and Non-Stop, but director Frank duly caters to fans of Neeson's renaissance as a tough-talking action hero with one bruising fight sequence. When a shoot-out on the streets of 1991 New York City ends in senseless tragedy, booze-sodden officer Matt Scudder (Neeson) hangs up his badge and embraces sobriety with the support of Alcoholics Anonymous. He re-surfaces as an unlicensed private detective, working out of his apartment in Hell's Kitchen. Fellow AA member Peter Kristo (Boyd Holbrook) approaches Matt with an urgent request to help his brother Kenny (Dan Stevens), who has just paid a 400,000 dollar ransom for his wife (Razane Jammal). The kidnappers took the money then dismembered their hostage. Matt visits Kenny in his plush apartment and the former cop deduces the grief-stricken husband is a drug dealer. Interestingly, the perpetrators knew this from their ransom demand: "You'd pay a million for her if she was product." Despite initial misgivings, Matt agrees to help Kenny unmask the merciless perpetrators, Ray (David Harbour) and Albert (Adam David Thompson), who are already scoping their next target. In the course of his enquiries, Matt encounters homeless teenager TJ (Brian 'Astro' Bradley), who needs a father figure to keep him safe on the mean streets of the Big Apple. A Walk Among The Tombstones is a solid and involving genre piece that lays the groundwork for further adaptations of Block's series of books dedicated to Scudder. Matt's sweetheart Elaine, who is prominent on the page, is missing in action from Frank's film, allowing us to concentrate on the case and the relationship between Matt and TJ that feels like a convenient plot device rather than a fully realised surrogate father-son bond. Neeson doesn't have to stretch himself in the undemanding and hard-hitting lead role, while Downton Abbey heartthrob Stevens makes little impact amidst the explosions of brutality.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

Before I Go To Sleep 4 stars

movie title

Following an accident, 47-year-old wife Christine Lucas suffers from anterograde amnesia. She wakes each morning without any memory or who she is or how she came to be sleeping in a strange bed next to a man she does not know. Consumed by fear, Christine races into the bathroom where a series of photographs on the wall begin to fill in the blanks, letting her know that the man is her husband Ben and they have shared many happy years together.

  • GenreAdaptation, Drama, Romance, Thriller
  • CastColin Firth, Mark Strong, Nicole Kidman, Anne-Marie Duff.
  • DirectorRowan Joffe.
  • WriterRowan Joffe.
  • CountryUS/UK/Fr/S
  • Duration92 mins
  • Official site
  • Release05/09/2014

There has been a rich harvest of taut thrillers in 2014 including the independent American features Blue Ruin and Cold In July and gritty British films Locke and Starred Up. With David Fincher's adaptation of Gone Girl looming on the horizon, this is undoubtedly a year when audiences will catch themselves returning to filthy habits and furiously biting their nails in the dark of an unbearably tense cinema. Before I Go To Sleep is guaranteed to jangle nerves and drop a few jaws as summer mellows into autumn. Based on SJ Watson's best-selling novel, this ingenious thriller places us in exactly the same hellish predicament as the heroine, who wakes up each morning without any memory of the past, including her own identity. Through the eyes of this terrified wife, we absorb scraps of information from supposedly reliable sources and try to piece together the truth, unsure if writer-director Rowan Joffe is leading us a merry, sadistic dance. Following a car accident, 47-year-old Christine Lucas (Nicole Kidman) is diagnosed with anterograde amnesia. Each morning, she wakes in a strange bed next to a man she does not know and creeps into the adjacent bathroom where a series of photographs on the wall begin to fill in the blanks, letting her know that the man is her husband Ben (Colin Firth) and they have shared many happy years together. "You store up information for a day, wake up, and it's all gone," explains Ben, whose love for his wife holds strong. He leaves for work and Christine continues to learn about her past from information in the house. Then she receives a mysterious telephone call from someone called Dr Nash (Mark Strong), who instructs her to look in the wardrobe. "We've been keeping a video diary. I'm not sure Ben knows," confides the medic. The subsequent footage casts doubt on the facts that underpin Christine's fragile existence. "Don't trust anyone!" whispers Christine to herself in the video diary, tears glistening in her eyes. As Christine reconnects with Claire (Anne-Marie Duff), who is supposedly her best friend, contradictory testimonies drive her to the brink of insanity. Before I Go To Sleep drips-feeds us fragmented flashbacks, clouding our judgement of characters as they orbit Christine, purportedly out of love. Kidman captures the fragility of a woman at the mercy of her condition, who knows she must stare into the abyss before sleep robs her of a day's detective work. Firth and Strong offer sterling support and Joffe cranks up the tension masterfully with each hairpin twist. The guessing game of who to trust is part of the film's diabolical appeal and the script engineers some wonderful bluffs until a gasp-inducing big reveal that should have audiences teetering precariously on the edge of their seats.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

Guardians Of The Galaxy 4 stars

movie title

Abducted from his parents as a child and raised by thieves, gung-ho American pilot Peter Quill is content to gallivant around the far reaches of space. He steals an orb, which is sought by Ronan and his army of Sakaarans, and evades capture by aligning himself with a motley crew of rebels comprising green-skinned assassin Gamora, genetically engineered raccoon Rocket, his tree-like sidekick Groot and vengeance-seeking warrior Drax The Destroyer, whose entire family was slaughtered by Ronan.

  • GenreAction, Adaptation, Adventure, Comedy, Family, Science Fiction
  • CastBradley Cooper, Chris Pratt, Vin Diesel, Zoe Saldana, Lee Pace, Dave Bautista, Josh Brolin.
  • DirectorJames Gunn.
  • WriterJames Gunn, Nicole Perlman.
  • CountryUS
  • Duration128 mins
  • Official sitewww.marvel.com/guardians
  • Release31/07/2014

From its visually stunning opening set to the funky strains of Come And Get Your Love by Native American rock band Redbone, Guardians Of The Galaxy lends the Marvel Comics big screen universe a delightful retro twang. The sardonic anti-hero is seldom parted from his Walkman and he inspires his cohorts to greatness with repeated references to Kevin Bacon and Footloose. As the slick special effects attest, the budget for this intergalactic romp is big - so too are the laughs courtesy of director James Gunn and co-writer Nicole Perlman. The opening sequence affectionately nods to Raiders Of The Lost Ark and when the mystery surrounding the film's fabled treasure is revealed, the space cowboy casually notes the trinket has "a shiny suitcase, Ark of the Covenant, Maltese Falcon vibe". Gunn doesn't skimp on the spectacle - if anything, a couple of the outlandish set pieces are too long - but he adds a comic twist to each deafening blast of pyrotechnics. Thus a centrepiece prison break is underscored by Rupert Holmes' 1979 hit Escape (The Pina Colada Song) and when the anti-hero barely escapes death in his spaceship and an extra-terrestrial girlfriend stumbles up from the hold, he looks at her with embarrassment and confesses, "I'm going to be honest with you. I forgot you were here". Abducted from his parents as a child and raised by thieves led by blue-skinned tyrant Yondu (Michael Rooker), Peter Quill (Chris Pratt) is a thief for hire, who steals a mystical orb sought by sadistic warlord Ronan (Lee Pace) and his army of Sakaarans. Peter evades Ronan's clutches and eventually aligns himself with a motley crew of mercenaries comprising green-skinned assassin Gamora (Zoe Saldana), genetically engineered raccoon Rocket (voiced by Bradley Cooper), his tree-like sidekick Groot (voiced by Vin Diesel) and vengeance-seeking warrior Drax the Destroyer (Dave Bautista), whose entire family was slaughtered by Ronan. When Peter learns the orb is an ancient artefact with the power to destroy the universe, he must put selfish desires to one side to repel Ronan and his underlings including fearsome intergalactic hunter Korath (Djimon Hounsou). Guardians Of The Galaxy is a blast. Pratt brings swagger and dry wit to his emotionally wounded hero, while Saldana adds sass and sex appeal to her otherworldly assassin. Bautista is marvellous as the hulk who takes everything literally - "Nothing goes over my head, my reflexes are too fast" - but almost every scene is stolen by the computer-generated double-act of Rocket and Groot. Cooper voices his feisty gun-toting fur ball with a wonderful blend of defiance and sarcasm, and breaks our hearts when it seems that he might be separated from his beloved sidekick forever. Cameos from Benicio Del Toro and Glenn Close hint at a wider canvas of political intrigue that director Gunn will be keen to explore in a sequel star-dated for release in 2017.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

How To Train Your Dragon 2 4 stars

movie title

During one of his regular sorties with Toothless, Hiccup stumbles upon a lost world full of rescued dragons and a valiant dragon rider named Valka, who turns out to be Hiccup's long lost mother. A tearful family reunion with Hiccup's father Stoick is cut short when diabolical dragon hunter Drago Bludvist storms the lost world and takes control of all of the majestic creatures using a gargantuan Alpha dragon called a Bewilderbeast.

  • GenreAction, Adventure, Animation/Cartoon, Family, Family
  • CastKristen Wiig, America Ferrera, Jay Baruchel, Djimon Hounsou, Cate Blanchett, Gerard Butler.
  • DirectorDean DeBlois.
  • WriterDean DeBlois.
  • CountryUS
  • Duration102 mins
  • Official sitewww.howtotrainyourdragon.co.uk
  • Release27/06/2014 (Scotland); 11/07/2014 (nationwide)

Based on the book by Cressida Cowell, the 2010 computer-animated adventure How To Train Your Dragon soared tantalisingly close to perfection. Chris Sanders and Dean DeBlois' brilliantly executed story of one boy's remarkable friendship with a supposedly fearsome dragon was deeply touching, distinguished by richly detailed visuals and an intelligent script.

The sequel, directed solely by DeBlois, expands the narrative arcs of the characters, testing their mettle in the aftermath of tragedy and conflict. Boys cross the rubicon to manhood, parents make selfless sacrifices to protect their brood and evil poisons an innocent heart.

As a wise woman in the film proclaims, "Good dragons under the control of bad people do bad things". Five years have passed since Hiccup (voiced by Jay Baruchel) befriended Toothless and the inhabitants of the village of Berk now live in harmony with the dragons.

Hiccup's father Stoick the Vast (Gerard Butler) continues to preside over the people. He hopes Hiccup will accept his destiny as the next tribal chief but the boy prefers to soar through the clouds astride his trusty Night Fury.

During a regular sortie with Toothless, Hiccup stumbles upon a lost world of rescued dragons and a valiant rider named Valka (Cate Blanchett), who turns out to be a long-lost face from the past. "It's not everyday you find out your mother is some kind of crazy, feral, vigilante dragon lady!" whoops Hiccup.

A tearful family reunion with Stoick is cut short by diabolical dragon hunter Drago Bludvist (Djimon Hounsou), who storms this lost world and takes control of the majestic fire-breathing creatures using a gargantuan Alpha dragon. World domination beckons and all that stands in Drago's way are Hiccup, Toothless and the boy's plucky friends Astrid (America Ferrara), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill) and the twins Ruffnut (Kristen Wiig) and Tuffnut (TJ Miller).

In almost every aspect, How To Train Your Dragon 2 matches its polished predecessor... except one. The addition of Oscar winner Blanchett to the vocal fold is a calamitous misjudgement. From the outset, the Australian actress is engaged in a futile tug-of-war with her Scottish accent that initially roams the British Isles and eventually strays across the entire Commonwealth.

Her verbal strangulations are horribly distracting and undermine some of the film's most emotionally charged moments of reconciliation and remembrance.

For his part, writer-director DeBlois charts a breathless course between drama, action and comedy, the latter delivered with scenery-chewing gusto by Craig Ferguson as Stoick's best friend Gobber the Belch. "[Valka's] meatballs could kill more beasts than a battle axe. I still got a few knocking around in here!" he grimaces, pointing to his belly.

Flying sequences deliver a vertiginous thrill, especially in 3D, including a couple of death-defying battles that slalom and swoop at dizzying speed. Blanchett aside, lightning nearly strikes twice.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

Let's Be Cops 2 stars

movie title

Ryan O'Malley and best friend Justin Miller misread the dress code for their college reunion party and turn up dressed as police officers. On the way home, the buddies embrace the power afforded by the uniform including an impromptu stop and search of goons working for sadistic Russian mobster Mossi Devic. The following day, Ryan buys a patrol car and persuades Justin to slip back into his fake cop persona to woo his crush and apprehend Devic.

  • GenreAction, Comedy, Romance
  • CastRob Riggle, Damon Wayans Jr, Jake Johnson, Nina Dobrev, James D'Arcy.
  • DirectorLuke Greenfield.
  • WriterNicholas Thomas, Luke Greenfield.
  • CountryUS
  • Duration104 mins
  • Official sitewww.letsbecops.com
  • Release27/08/2014

If the title of Luke Greenfield's hare-brained buddy movie was a rhetorical question, the unequivocal answer would be: Let's not! Lifeless, limp and relentlessly unfunny, Let's Be Cops is a scattershot comedy about downtrodden pals, who don LAPD uniforms for a party and discover newfound respect because of the badge. Films of this ilk propel characters on a journey of self-discovery laden with mishaps and misadventures, at the end of which, they glean valuable life lessons about self-belief and courage.

The lessons we learn from Greenfield's picture are manifold: an amusing dramatic premise doth not a laughter riot make; it's never a good sign when you yearn to punch the lead characters within five minutes of them appearing on screen; and misfiring punchlines do not suddenly become hilarious if one of the actors delivers them AT THE TOP OF HIS VOICE.

Ryan O'Malley (Jake Johnson) has frittered away 11,000 dollars he earned from a TV commercial for genital herpes. He lacks direction, as does best friend Justin Miller (Damon Wayans Jr), a videogame designer whose idea for an immersive experience as a LAPD officer is shot down in flames by his zombie-obsessed boss (Jonathan Lajoie).

These much maligned misfits misread the dress code for their college reunion party and turn up in costumes, which Justin bought for his videogame presentation. On the way home, the buddies embrace the power afforded by the uniform including an impromptu stop and search of goons working for sadistic Russian mobster Mossi Devic (James D'Arcy).

The following day, Ryan buys a patrol car and persuades Justin to slip back into his fake cop persona to woo his crush: a pretty waitress called Josie (Nina Dobrev), who dreams of swapping lunch orders for a career as a make-up artist.

Unfortunately, Josie is also the object of Devic's demented affections. Real-life officer Segars (Rob Riggle) swallows Ryan and Justin's buffoonish bluff and shares valuable surveillance on Devic. "He is the Devil's nephew!" warns Segars, whose hard-nosed superior, Detective Brolin (Andy Garcia), becomes suspicious of Ryan and Justin and decides to test their mettle.

Women apparently love a man in uniform but it's hard to imagine anyone loving Luke Greenfield's ridiculous comedy of errors, which attempts to hop on the 21 Jump Street bandwagon and misses by a mile. As a double-act, Johnson and Wayans Jr are irritating and it beggars belief that they accomplish their deception when the characters go out of their way to be exposed as charlatans.

Garcia must have been short of a month's rent to accept his thankless supporting role while Dobrev serves up a two-dimensional loved interest, who apparently has a track record for attracting psychos. Action sequences are perfunctory and the script makes ill-advised forays into homophobia, racism and misogyny in search of elusive giggles.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

Let's Be Cops (Subtitled) 2 stars

movie title

Ryan O'Malley and best friend Justin Miller misread the dress code for their college reunion party and turn up dressed as police officers. On the way home, the buddies embrace the power afforded by the uniform including an impromptu stop and search of goons working for sadistic Russian mobster Mossi Devic. The following day, Ryan buys a patrol car and persuades Justin to slip back into his fake cop persona to woo his crush and apprehend Devic.

  • GenreAction, Comedy, Romance
  • CastRob Riggle, Nina Dobrev, James D'Arcy, Damon Wayans Jr, Jake Johnson.
  • DirectorLuke Greenfield.
  • WriterNicholas Thomas, Luke Greenfield.
  • CountryUS
  • Duration104 mins
  • Official sitewww.letsbecops.com
  • Release27/08/2014

If the title of Luke Greenfield's hare-brained buddy movie was a rhetorical question, the unequivocal answer would be: Let's not! Lifeless, limp and relentlessly unfunny, Let's Be Cops is a scattershot comedy about downtrodden pals, who don LAPD uniforms for a party and discover newfound respect because of the badge. Films of this ilk propel characters on a journey of self-discovery laden with mishaps and misadventures, at the end of which, they glean valuable life lessons about self-belief and courage.

The lessons we learn from Greenfield's picture are manifold: an amusing dramatic premise doth not a laughter riot make; it's never a good sign when you yearn to punch the lead characters within five minutes of them appearing on screen; and misfiring punchlines do not suddenly become hilarious if one of the actors delivers them AT THE TOP OF HIS VOICE.

Ryan O'Malley (Jake Johnson) has frittered away 11,000 dollars he earned from a TV commercial for genital herpes. He lacks direction, as does best friend Justin Miller (Damon Wayans Jr), a videogame designer whose idea for an immersive experience as a LAPD officer is shot down in flames by his zombie-obsessed boss (Jonathan Lajoie).

These much maligned misfits misread the dress code for their college reunion party and turn up in costumes, which Justin bought for his videogame presentation. On the way home, the buddies embrace the power afforded by the uniform including an impromptu stop and search of goons working for sadistic Russian mobster Mossi Devic (James D'Arcy).

The following day, Ryan buys a patrol car and persuades Justin to slip back into his fake cop persona to woo his crush: a pretty waitress called Josie (Nina Dobrev), who dreams of swapping lunch orders for a career as a make-up artist.

Unfortunately, Josie is also the object of Devic's demented affections. Real-life officer Segars (Rob Riggle) swallows Ryan and Justin's buffoonish bluff and shares valuable surveillance on Devic. "He is the Devil's nephew!" warns Segars, whose hard-nosed superior, Detective Brolin (Andy Garcia), becomes suspicious of Ryan and Justin and decides to test their mettle.

Women apparently love a man in uniform but it's hard to imagine anyone loving Luke Greenfield's ridiculous comedy of errors, which attempts to hop on the 21 Jump Street bandwagon and misses by a mile. As a double-act, Johnson and Wayans Jr are irritating and it beggars belief that they accomplish their deception when the characters go out of their way to be exposed as charlatans.

Garcia must have been short of a month's rent to accept his thankless supporting role while Dobrev serves up a two-dimensional loved interest, who apparently has a track record for attracting psychos. Action sequences are perfunctory and the script makes ill-advised forays into homophobia, racism and misogyny in search of elusive giggles.

Showtimes (Click time to book tickets)

Sunday 21st September 2014

NT Live Encore Screening: Medea 3 stars

Helen McCrory returns to the National Theatre to assume the demanding title role in Euripides's powerful tragedy in a new version by Ben Power. This recording was filmed live in London and is directed by Carrie Cracknell with music written by Will Gregory and Alison Goldfrapp.

Showtimes (Click time to book tickets)

Monday 22nd September 2014

Pride 5 stars

movie title

Mark Ashton is the charismatic and outspoken leader of impassioned campaigners, who operate out of the Gay's The Word bookshop in London. Reading news stories about the miner's strike, Mark recognises a cause to champion. "Mining communities are being bullied just like we are," he tells his coterie and they form LGSM - Lesbians and Gays Support the Miners - with the intention of raising funds for a randomly selected Welsh community.

  • GenreComedy, Drama, Historical/Period
  • CastBill Nighy, Andrew Scott, Dominic West, Ben Schnetzer, George MacKay, Jessica Gunning, Paddy Considine, Imelda Staunton, Joseph Gilgun.
  • DirectorMatthew Warchus.
  • WriterStephen Beresford.
  • CountryUK
  • Duration120 mins
  • Official sitewww.pridemovie.co.uk
  • Release12/09/2014

Theatre director Matthew Warchus, who succeeds Kevin Spacey as artistic director of the Old Vic in London next year, will need to de-clutter his awards-laden mantelpiece. His second feature film is a barnstorming culture-clash comedy drama based on the inspirational true story of a group of gays and lesbians, who supported the miners during the 1984 strike and raised thousands of pounds for beleaguered communities, which dared to stand up to the Thatcher government.

This uplifting story of solidarity in the face of adversity and police intimidation is an absolute joy; an unabashed, irresistible crowd-pleaser in the magnificent mould of The Full Monty and Billy Elliot that rouses the audience to bellowing laughter while choking back a deluge of hot, salty tears.

Pride embraces and subverts stereotypes, deftly weaving together stories of personal triumph and anguish as the spectre of Aids casts a long shadow over the gay community.

Mark Ashton (Ben Schnetzer) is the charismatic and outspoken leader of young, impassioned campaigners, who operate out of the Gay's The Word bookshop in London run by Gethin (Andrew Scott). Reading news stories about the miner's strike, Mark recognises a cause to champion.

"Mining communities are being bullied just like we are," he tells his coterie comprising Mike (Joseph Gilgun), Jonathan (Dominic West), Jeff (Freddie Fox), Steph (Faye Marsay) and closeted new boy, Joe (George MacKay). They form LGSM - Lesbians and Gays Support the Miners - and rattle tins for a randomly selected Welsh community.

Mining representative Dai (Paddy Considine) invites Mark and co to the Dulais Valley where committee members Hefina (Imelda Staunton), Cliff (Bill Nighy) and Sian (Jessica Gunning) embrace the fund-raisers with open arms. However, some of the locals are repulsed.

"We're being backed up by perverts," sneers homophobic mother Maureen (Lisa Palfrey), kindling conflict between some of the neighbours and the LGSM.

Pride is a life-affirming ode to tolerance, acceptance and self-belief that defiantly lives up to its title, waving a flag for stellar home-grown filmmaking.

Performances are exemplary, ignoring a few wobbles with the Welsh accents, including a fiery turn from Schnetzer as a fresh-faced trailblazer and sobs aplenty from Mackay as the catering student, who cannot conceal his sexuality forever.

Scriptwriter Stephen Beresford strikes a perfect balance between hilarity and heartbreak, sharing polished one-liners among the ensemble cast including Menna Trussler as a clucky old dear, who labours under the illusion that all lesbians are vegetarians.

Warchus' film builds to a rousing crescendo that delivers a knock-out emotional wallop and opens the floodgates. As Frankie Goes To Hollywood professed during that turbulent summer of 1984: "When two tribes go to war/A point is all you can score." The characters in Pride score their points with unbridled passion and wit.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

Sex Tape 2 stars

movie title

When they first meet, Jay and Annie cannot keep their hands off each other. Two children later, the opportunities for amorous one-on-one time are few and far between, so, on a rare night together, Annie suggests they make a sex tape. Jay and Annie energetically work their way through every position in The Joy Of Sex but the exhausted husband forgets to erase the video file and it uploads to the cloud and syncs to several other iPads, which the couple have given away as presents.

  • GenreComedy, Romance
  • CastCameron Diaz, Ellie Kemper, Rob Corddry, Jason Segel, Rob Lowe.
  • DirectorJake Kasdan.
  • WriterNicholas Stoller, Kate Angelo, Jason Segel.
  • CountryUS
  • Duration94 mins
  • Official sitesextape-movie.tumblr.com
  • Release03/09/2014

All publicity is good publicity and the rise of "leaked" celebrity sex tapes has certainly extended the fame of media darlings far beyond the allotted 15 minutes. Katie Price and Dane Bowers, Pamela Anderson and Tommy Lee, Paris Hilton and Rick Salomon and Tulisa and rapper Justin Edwards all faced a trial by media when their amorous antics suddenly materialised in the public domain. Sometimes, these homemade escapades jeopardized careers. Chart-topping singer R Kelly faced a protracted legal battle in relation to a video featuring an underage girl, and actor Rob Lowe's image was badly tarnished after footage surfaced of a sexual dalliance with young women aged 16 and 22. Lowe subsequently poked fun at himself when he hosted Saturday Night Live and he continues to wedge tongue in cheek with an eye-catching supporting role in Jake Kasdan's potty-mouthed comedy. Sex Tape is the raunchy tale of a happily married couple, who drunkenly agree to perform every position in The Joy Of Sex on camera for their private delectation. When they first meet, Jay (Jason Segel) and Annie (Cameron Diaz) cannot keep their hands off each other and enjoy an impressively gymnastic sex life. Two children later, there are few opportunities for amorous one-on-one time. With their cherubic offspring (Sebastian Hedges Thomas, Giselle Eisenberg) safely entrusted to grandma (Nancy Lenehan), Annie and Jay excitedly agree to make a sex tape. Unfortunately, the exhausted husband forgets to erase the video file and it uploads to the cloud and syncs to several iPads, which the couple have given away as presents. Jay and Annie are horrified when they realise their energetic efforts are available to download to friends, family, the postman and Annie's soon-to-be-boss, Hank (Lowe). When pals Tess (Ellie Kemper) and Robby (Rob Corddry) learn about the existence of the recording, they are aghast, especially Robby who cannot believe Jay performed for three hours. "That's the length of the movie Lincoln!" he gasps enviously. Time is of the essence and Tess and Robby join Jay and Annie as they race through the night to delete the incriminating video file from the iPads and spare their blushes. Sex Tape is a tease that fails to arouse belly laughs or a deep emotional connection to the beleaguered characters. Diaz and Segel, who previously locked horns in saucy comedy Bad Teacher, are an attractive pairing but the script shortchanges them both. A protracted sequence at Hank's palatial home outstays its welcome, replete with escalating animal cruelty. Jack Black cameos late in the film as a porn website proprietor and makes the point that Jay and Annie could have resolved the situation with a simple email or telephone call rather than racing around town like lunatics. A truncated, 20-minute version of Kasdan's film has undeniable appeal.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

Tarzan 3 stars

John Greystoke, the intrepid CEO of Greystoke Energies, ventures deep into the jungle with his wife Alice and their young son. Their helicopter crashes, killing everyone on board except the young Greystoke heir, who is rescued and raised by apes. As an adult, Tarzan encounters humans once again when beautiful environmentalist Jane Porter arrives in the jungle with William Clayton, the Machiavellian new CEO of Greystoke Energies.

  • GenreAction, Adaptation, Adventure, Animation/Cartoon, Drama, Family, Family, Romance
  • CastJaime Ray Newman, Robert Capron, Kellan Lutz, Trevor St John, Spencer Locke, Mark Deklin.
  • DirectorReinhard Klooss.
  • WriterReinhard Klooss, Jessica Postigo.
  • CountryGer
  • Duration99 mins
  • Official site
  • Release02/05/2014

Since his debut on the pages of a 1912 magazine, Edgar Rice Burroughs's fictional ape man has swung into the affections of successive generations thanks to re-imaginings on the small and big screens. Former Olympic swimmer Johnny Weissmuller famously portrayed the heroic king of the jungle during the 1930s and 1940s flanked by his plucky chimpanzee sidekick Cheeta.

And most recently, Disney immortalised literary myth as an animation feature, a short-lived Broadway musical, spin-off TV series and video games. Now it falls to German filmmaker Reinhard Klooss to put a distinctly modern spin on Burroughs's source text.

Don't be misled by the colourful visuals of this computer-animated adventure and early scenes of comical monkey business. This adaptation isn't a cutesy caper aimed predominantly at children. Tragedy stalks every frame and a couple of sequences, which result in the demise of pivotal characters, could be too scary for the very young.

To enforce the film's modern sensibilities, a rousing burst of Coldplay's anthem Paradise accompanies Tarzan and Jane's romantic swim, replete with longing glances as the protagonists splash about in the water.

John Greystoke (voiced by Mark Deklin) ventures deep into the jungle with his wife Alice (Jaime Ray Newman) and their young son to search for the impact site of an ancient meteorite, which is rumoured to possess immense power.

By chance, as the Greystokes leave the jungle in their helicopter, they stumble upon the meteorite but magnetic interference propels the craft into the mountainside, killing everyone on board except the young Greystoke heir.

The child is rescued and raised by apes and is rechristened Tarzan. As an adult, Tarzan (now voiced by Kellan Lutz) encounters humans once again when beautiful environmentalist Jane Porter (Spencer Locke) arrives in the jungle with William Clayton (Trevor St John), the Machiavellian new CEO of Greystoke Energies.

He also seeks the elusive meteorite and its limitless power and hopes that Jane's father Jim (Les Bubb) will help him. "That's a very pretty daughter you've got there. We wouldn't want anything to happen to her, would we?" snarls Clayton.

Tarzan is a slick yet unsatisfying reworking that struggles to marry the legend with a perplexing subtext about mankind's unsustainable depletion of the earth's resources. Lutz beats his chest on cue to deliver his hero's iconic cry and stilted dialogue including, "Me Tarzan, you Jane".

Locke essays a spunky heroine but she's poorly served by the flimsy script while St John's pantomime villain encourages the audience to hiss and boo his every underhand move.

The introduction of the mysterious meteorite to the jungle is an unwelcome distraction that draws parallels with the extra-terrestrial mumbo jumbo in the fourth Indiana Jones film. An unhappy marriage of something old, something new - that leaves us feeling blue.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

The Boxtrolls 4 stars

movie title

An orphaned boy named Eggs is raised by gentle subterranean creatures that have been unfairly demonised by the terrified, fromage-fixated residents of Cheesebridge. When pest exterminator Archibald Snatcher and his henchmen begin to exterminate the Boxtrolls, Eggs joins forces with the surviving creatures and a girl called Winnie to protect the beasties from harm.

  • GenreAdaptation, Adventure, Animation/Cartoon, Comedy, Family, Family, Fantasy
  • CastToni Collette, Elle Fanning, Simon Pegg, Nick Frost, Isaac Hempstead-Wright, Jared Harris, Sir Ben Kingsley.
  • DirectorGraham Annable, Anthony Stacchi.
  • WriterIrena Brignull, Adam Pava.
  • CountryUS
  • Duration97 mins
  • Official sitewww.theboxtrolls.co.uk
  • Release12/09/2014

Based on the novel Here Be Monsters! by Alan Snow, The Boxtrolls is a rollicking stop-motion animated romp from the makers of Coraline and ParaNorman that proves weird can be truly wonderful. With faint echoes of Raymond Briggs' Fungus The Bogeyman, Graham Annable and Anthony Stacchi's quirky fantasy imagines a race of subterranean creatures, who root through bins in search of spare parts for their mechanical creations.

Despite a hearty appetite for slimy bugs, these pungent, green-skinned denizens of the underworld are cute rather than scary, possessing relatable human traits such as a passion for music or a quivering fear of the unknown. They spare troll blushes by wearing empty cardboard boxes and the former contents of these mouldering cartons provide each expressive character with a name such as Fish, Knickers, Sweets, Clocks and Fragile (ho ho!).

The meticulous detail of the movable figures and miniature sets is impressive, and co-directors Annable and Stacchi corral a vast team of animators, who produce thrilling chases and quieter moments of ribald humour.

The well-to-do, Victorian-era city of Cheesebridge is visited under the cloak of darkness by the eponymous beasties. One dark night, a Boxtroll called Fish (voiced by Dee Bradley Baker) kidnaps the infant son of a local inventor (Simon Pegg) and spirits away the child to the underground lair.

This shocking act plays into the grubby hands of pest exterminator Archibald Snatcher (Sir Ben Kingsley). "Prepare to say bye-bye to your brie, cheerio to your cheddar!" cackles Snatcher, striking fear into the heart of Lord Portley-Rind (Jared Harris) and the other fromage-fixated noblemen.

They grant Snatcher a place at the cheese-tasting top table if the exterminator and his henchmen - Mr Trout (Nick Frost), Mr Pickles (Richard Ayoade) and Mr Gristle (Tracy Morgan) - kill every last Boxtroll. Unaware that he is human, abducted boy Eggs (Isaac Hempstead-Wright) ventures above ground with the Boxtrolls and encounters Lord Portley-Rind's snooty daughter, Winnie (Elle Fanning).

She initially believes the horror stories about Boxtrolls devouring children - "Eat me. I'm sure I'm delicious!" - but once Winnie learns the truth about Eggs' past, she agrees to help vanquish Snatcher and his snivelling cohorts.

The Boxtrolls is a delight for the young and young at heart, hinging on the notion that families come in all shapes and sizes. Irena Brignull and Adam Pava's script is laden with verbal and visual gags, striking a gently mischievous tone throughout like when Winnie spots Eggs tugging at the crotch of his uncomfortable suit and whispers, "Don't snatch them in public. That's why they are called privates!"

Frost, Ayoade and Morgan provide the majority of the comic relief between action-packed set-pieces. Remain seated during the end credits for a hilarious scene of existential angst, which succinctly reminds us how pain-staking and time-consuming the stop-motion animation process is.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

The Boxtrolls (Subtitled) 4 stars

movie title

An orphaned boy named Eggs is raised by gentle subterranean creatures that have been unfairly demonised by the terrified, fromage-fixated residents of Cheesebridge. When pest exterminator Archibald Snatcher and his henchmen begin to exterminate the Boxtrolls, Eggs joins forces with the surviving creatures and a girl called Winnie to protect the beasties from harm.

  • GenreAdaptation, Adventure, Animation/Cartoon, Comedy, Family, Family, Fantasy
  • CastNick Frost, Elle Fanning, Toni Collette, Isaac Hempstead-Wright, Jared Harris, Simon Pegg, Sir Ben Kingsley.
  • DirectorGraham Annable, Anthony Stacchi.
  • WriterIrena Brignull, Adam Pava.
  • CountryUS
  • Duration97 mins
  • Official sitewww.theboxtrolls.co.uk
  • Release12/09/2014

Based on the novel Here Be Monsters! by Alan Snow, The Boxtrolls is a rollicking stop-motion animated romp from the makers of Coraline and ParaNorman that proves weird can be truly wonderful. With faint echoes of Raymond Briggs' Fungus The Bogeyman, Graham Annable and Anthony Stacchi's quirky fantasy imagines a race of subterranean creatures, who root through bins in search of spare parts for their mechanical creations.

Despite a hearty appetite for slimy bugs, these pungent, green-skinned denizens of the underworld are cute rather than scary, possessing relatable human traits such as a passion for music or a quivering fear of the unknown. They spare troll blushes by wearing empty cardboard boxes and the former contents of these mouldering cartons provide each expressive character with a name such as Fish, Knickers, Sweets, Clocks and Fragile (ho ho!).

The meticulous detail of the movable figures and miniature sets is impressive, and co-directors Annable and Stacchi corral a vast team of animators, who produce thrilling chases and quieter moments of ribald humour.

The well-to-do, Victorian-era city of Cheesebridge is visited under the cloak of darkness by the eponymous beasties. One dark night, a Boxtroll called Fish (voiced by Dee Bradley Baker) kidnaps the infant son of a local inventor (Simon Pegg) and spirits away the child to the underground lair.

This shocking act plays into the grubby hands of pest exterminator Archibald Snatcher (Sir Ben Kingsley). "Prepare to say bye-bye to your brie, cheerio to your cheddar!" cackles Snatcher, striking fear into the heart of Lord Portley-Rind (Jared Harris) and the other fromage-fixated noblemen.

They grant Snatcher a place at the cheese-tasting top table if the exterminator and his henchmen - Mr Trout (Nick Frost), Mr Pickles (Richard Ayoade) and Mr Gristle (Tracy Morgan) - kill every last Boxtroll. Unaware that he is human, abducted boy Eggs (Isaac Hempstead-Wright) ventures above ground with the Boxtrolls and encounters Lord Portley-Rind's snooty daughter, Winnie (Elle Fanning).

She initially believes the horror stories about Boxtrolls devouring children - "Eat me. I'm sure I'm delicious!" - but once Winnie learns the truth about Eggs' past, she agrees to help vanquish Snatcher and his snivelling cohorts.

The Boxtrolls is a delight for the young and young at heart, hinging on the notion that families come in all shapes and sizes. Irena Brignull and Adam Pava's script is laden with verbal and visual gags, striking a gently mischievous tone throughout like when Winnie spots Eggs tugging at the crotch of his uncomfortable suit and whispers, "Don't snatch them in public. That's why they are called privates!"

Frost, Ayoade and Morgan provide the majority of the comic relief between action-packed set-pieces. Remain seated during the end credits for a hilarious scene of existential angst, which succinctly reminds us how pain-staking and time-consuming the stop-motion animation process is.

Showtimes (Click time to book tickets)

Tuesday 23rd September 2014

The Boxtrolls 3D 4 stars

movie title

An orphaned boy named Eggs is raised by gentle subterranean creatures that have been unfairly demonised by the terrified, fromage-fixated residents of Cheesebridge. When pest exterminator Archibald Snatcher and his henchmen begin to exterminate the Boxtrolls, Eggs joins forces with the surviving creatures and a girl called Winnie to protect the beasties from harm.

  • GenreAdaptation, Adventure, Animation/Cartoon, Comedy, Family, Family, Fantasy
  • CastElle Fanning, Toni Collette, Simon Pegg, Nick Frost, Isaac Hempstead-Wright, Jared Harris, Sir Ben Kingsley.
  • DirectorGraham Annable, Anthony Stacchi.
  • WriterIrena Brignull, Adam Pava.
  • CountryUS
  • Duration97 mins
  • Official sitewww.theboxtrolls.co.uk
  • Release12/09/2014

Based on the novel Here Be Monsters! by Alan Snow, The Boxtrolls is a rollicking stop-motion animated romp from the makers of Coraline and ParaNorman that proves weird can be truly wonderful. With faint echoes of Raymond Briggs' Fungus The Bogeyman, Graham Annable and Anthony Stacchi's quirky fantasy imagines a race of subterranean creatures, who root through bins in search of spare parts for their mechanical creations.

Despite a hearty appetite for slimy bugs, these pungent, green-skinned denizens of the underworld are cute rather than scary, possessing relatable human traits such as a passion for music or a quivering fear of the unknown. They spare troll blushes by wearing empty cardboard boxes and the former contents of these mouldering cartons provide each expressive character with a name such as Fish, Knickers, Sweets, Clocks and Fragile (ho ho!).

The meticulous detail of the movable figures and miniature sets is impressive, and co-directors Annable and Stacchi corral a vast team of animators, who produce thrilling chases and quieter moments of ribald humour.

The well-to-do, Victorian-era city of Cheesebridge is visited under the cloak of darkness by the eponymous beasties. One dark night, a Boxtroll called Fish (voiced by Dee Bradley Baker) kidnaps the infant son of a local inventor (Simon Pegg) and spirits away the child to the underground lair.

This shocking act plays into the grubby hands of pest exterminator Archibald Snatcher (Sir Ben Kingsley). "Prepare to say bye-bye to your brie, cheerio to your cheddar!" cackles Snatcher, striking fear into the heart of Lord Portley-Rind (Jared Harris) and the other fromage-fixated noblemen.

They grant Snatcher a place at the cheese-tasting top table if the exterminator and his henchmen - Mr Trout (Nick Frost), Mr Pickles (Richard Ayoade) and Mr Gristle (Tracy Morgan) - kill every last Boxtroll. Unaware that he is human, abducted boy Eggs (Isaac Hempstead-Wright) ventures above ground with the Boxtrolls and encounters Lord Portley-Rind's snooty daughter, Winnie (Elle Fanning).

She initially believes the horror stories about Boxtrolls devouring children - "Eat me. I'm sure I'm delicious!" - but once Winnie learns the truth about Eggs' past, she agrees to help vanquish Snatcher and his snivelling cohorts.

The Boxtrolls is a delight for the young and young at heart, hinging on the notion that families come in all shapes and sizes. Irena Brignull and Adam Pava's script is laden with verbal and visual gags, striking a gently mischievous tone throughout like when Winnie spots Eggs tugging at the crotch of his uncomfortable suit and whispers, "Don't snatch them in public. That's why they are called privates!"

Frost, Ayoade and Morgan provide the majority of the comic relief between action-packed set-pieces. Remain seated during the end credits for a hilarious scene of existential angst, which succinctly reminds us how pain-staking and time-consuming the stop-motion animation process is.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

The Guest 2 stars

movie title

Spencer Peterson and his wife Laura are devastated when their oldest son, Caleb, is killed during a tour of duty in Afghanistan. Caleb's siblings Anna and Luke are inconsolable until one of their brother's fellow soldiers, David Collins, arrives at their front door to fulfil his comrade's dying wish. Spencer and Laura welcome this brother in arms into their home but Anna are Luke are initially wary of the stranger in their midst.

  • GenreDrama, Thriller
  • CastJoel David Moore, Dan Stevens, Ethan Embry, Maika Monroe, Brendan Meyer.
  • DirectorAdam Wingard.
  • WriterSimon Barrett.
  • CountryUS
  • Duration100 mins
  • Official site
  • Release05/09/2014

Some films are born great, blessed with that rare combination of an intelligent script, superlative performances and virtuoso direction. Other films achieve greatness through luck or circumstance. Then there are films like Adam Wingard's violent psychological thriller, which achieve a level of greatness - some might say cult appeal - by virtue of their shoddy construction and ham-fisted execution. Harking back to bloodthirsty horror thrillers of the 1970s and 1980s, which were heavy on the synthesized electronic soundtracks, The Guest is a hysterically overblown anti-war movie that brings conflict to a peaceful community whose sons and daughters are fighting in the Middle East. Punctuated by unintentional laugh-out-loud interludes, Wingard's picture is a howlingly funny diversion from reality that merrily melds The Terminator and Halloween with only a cursory glance to plausibility. Leading man Dan Stevens obliterates fond memories of Matthew Crawley in Downton Abbey, portraying a sexy psychopath who gets one diner waitress hot under the collar by emerging from a steamy shower wearing just a low slung towel and a roguish smile. Lady Mary would have the vapours! Spencer Peterson (Leland Orser) and his wife Laura (Sheila Kelley) are devastated when their oldest son, Caleb, is killed during a tour of duty in Afghanistan. Their grief is salved when Caleb's brother in arms, David Collins (Stevens), arrives at their front door to fulfil his comrade's dying wish. Desperate for an emotional connection to her boy, Laura invites David to stay and the newcomer ingratiates himself to youngest son Luke (Brendan Meyer) by doling out rough justice to school bullies. Caleb's sister Anna (Maika Monroe) is harder to win over - she doesn't think it's healthy to re-open old wounds caused by her brother's passing. "We don't need a walking, breathing reminder of him right now," she tells her boyfriend Zeke (Chase Williamson). David plies his boyish charm until Anna is smitten too, telling her, "If I had a girl like you back home, I wouldn't have gone to the Middle East to get shot at." He is the perfect houseguest until a visit from Major Carver (Lance Reddick) forces the Petersons to question the veracity of David's story. The Guest is a hoot for all the wrong reasons, completely losing the plot and any sense of decorum when Simon Barrett's script begins its convoluted explanation of David's shady past. Stevens is devilishly handsome and Wingard's camera lingers on his twinkling blue eyes in swoonsome close-up. Supporting cast are at the mercy of the poor writing, desperately trying to make us care about a family who welcome a stranger into their home without properly checking his credentials. The frenetic blood-soaked finale at a Halloween-themed ball is a riot of giggles and gore that perfectly encapsulates the wackiness of Wingard's shambolic vision.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

The House Of Magic 3 stars

movie title

Ginger tabby cat Thunder is abandoned by his owners at the roadside. He seeks refuge in a ramshackle mansion owned by a retired magician called Lawrence, who performed under the moniker The Illustrious Lorenzo. The old man is subsequently involved in a traffic accident and recuperates in hospital. Lawrence's scheming nephew Daniel hatches a scheme to dispatch his uncle to a retirement home and sell the house for vast profit.

Curiosity almost kills the cat in The House Of Magic. Set largely within the confines of an ageing conjurer's home, Jeremy Degruson and Ben Stassen's undemanding computer-animated fantasy centres on a discarded feline, whose pluck and determination overcome adversity. The film doesn't overstay its welcome at a brisk 85 minutes and boasts flashes of visual brio.

That inventiveness is shoe-horned into lively opening sequences, which cut back and forth between a traditional third-person perspective and the four-legged hero's point of view as he clambers up a tree or cowers beneath oncoming traffic.

There's a quickening of the pulse, especially in 3D, as the camera replicates the tentative scamper of the cat along a branch as the animal prepares to leap the divide to an open window. Sadly, Degruson and Stassen lose the will to push visual boundaries as the story unfolds and the grand finale, involving a snivelling villain and a wrecking ball, is an anti-climax.

Ginger tabby cat Thunder (voiced by Murray Blue) is abandoned by his owners at the roadside. "You must have done something wrong because they chucked you like a cheap burrito," growls a passing dog (Joey Carmen).

The heavens open and Thunder seeks refuge from the downpour in a ramshackle mansion owned by a retired magician called Lawrence, who performed under the moniker The Illustrious Lorenzo.

The magician's two performing animals, Jack the rabbit (George Babbit) and Maggie the mouse (Shanelle Gray), view Thunder as a threat and they attempt to shoo the pussy back into the storm. Once their moggie-loving master catches sight of Thunder, he welcomes the homeless kitty to his new home.

Lawrence is subsequently involved in a traffic accident and recuperates in hospital. The old man's scheming nephew Daniel (Grant George) hatches a scheme to dispatch his uncle to Rhode Island Senior Retirement Home and sell the house for vast profit.

Luckily, Daniel is allergic to cats, and the magician's other animals and fantastical mechanised creations, including doves Carlo (Babbit again) and Carla (Kathleen Browers), sabotage viewings of the house and attack potential buyers. "As long as I'm here, you're all safe," naively purrs Thunder.

With its bright colours and linear narrative, The House Of Magic should engage younger audiences. Parents should be prepared for tears and screams before bedtime though when a snarling Doberman, which is chasing Thunder through undergrowth, appears to burst out of the screen and snaps its hungry jaws.

Older children will have to amuse themselves because the animation lacks the sophistication of Pixar, while the script operates on a single unchallenging level.

Solid vocal performances complement the archetypal characters, with fleeting comic relief from Carmen's pooch, who boldly claims to be "the Marlon Brando of Chihuahuas".

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

The Hundred-Foot Journey 3 stars

movie title

Papa Kadam and his family flee Mumbai after an arson attack on their restaurant, which results in the death of Papa's wife. They seek refuge in a French village, which boasts a Michelin star establishment run by widow Madame Mallory. The building across the road happens to be vacant and Papa purchases the property with the intention of opening his own eaterie serving traditional Indian fare. This rivalry sparks hostility between the Kadams and Mallory, which spirals out of control.

Made to a tried and tested recipe laid out in Richard C Morais's novel, The Hundred-Foot Journey is an uplifting comedy drama charting the battle of wits between two restaurateurs in a close-knit French village. It's a familiar story of feuds and reconciliation, love and loss, laced with the heady spices of one family's proud Indian heritage. Screenwriter Steven Knight (Dirty Pretty Things) offsets the sweetness of the central narrative with tart one-liners, and garnishes with crowd-pleasing performances from Helen Mirren and Om Puri as fierce rivals, who learn to see eye to eye over the simmering saucepans. Lasse Hallstrom's handsome confection is comfort food for the soul. Myriad scenes of chefs searing fresh meats and fishes, or lovingly stirring the ingredients of thick sauces, tantalise the senses and make your mouth water. Papa Kadam (Om Puri) and his five children - Mansur (Amit Shah), Hassan (Manish Dayal), Mahira (Farzana Dua Elahe), Mukhtar (Dillon Mitra) and Aisha (Aria Pandya) - flee Mumbai after an arson attack on their restaurant, which results in the death of Papa's beloved wife (Juhi Chawla). Initially, the Kadams settle in London but they leave because talented chef Hassan discovers that "the vegetables have no soul, no life." So the clan seeks new horizons in Europe. Shortly after crossing the Swiss border into France, the brakes on the Kadams' van fail and they crash close to the village of Saint-Antonin, which boasts a Michelin star establishment Le Saule Pleureur run by widow Madame Mallory (Helen Mirren). The building across the road from Mallory's restaurant is vacant and Papa dreams of serving traditional Indian fare to the good people of France. Eldest son Mansur tries to dissuade his father from competing with Le Saule Pleureur: "It is the best restaurant for 50 miles and the President of France eats there!" Unperturbed, Papa opens Maison Mumbai with Hassan as head chef. This sparks a bitter rivalry with Madame Mallory's own chef Jean-Pierre (Clement Sibony) that spirals out of control. Thankfully, Madame's pretty sous chef Marguerite (Charlotte Le Bon) is more welcoming and she inspires Hassan to learn classic French cuisine including boeuf bourguignon and pigeon aux truffes. The Hundred-Foot Journey trades heavily on the spiky banter between Mirren and Puri, the former adopting a cod-French accent as she tells the Kadams, "If your food is anything like your music, I suggest you tone it down." Their interplay is a solid and appealing foundation for a sweet romantic subplot between Dayal and Le Bon. When Knight's script veers into slightly darker territory, and adds the poisonous tang of fame to the feel good mix, the film stumbles. Thankfully, director Hallstrom restores balance with a last-minute dollop of shameless sentimentality to ensure audiences leave with their bellies full of unbridled joy.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014

The Riot Club 4 stars

Alistair Ryle arrives at Oxford, hoping to emulate his older brother, a former president of an elite dining club at Oxford University. Given his lineage, Alistair is almost certain to catch the eye of Riot Club president James Leighton-Masters. However, it is dashing classmate Miles Richards from more humble stock, who steals Alistair's thunder and arouses the homosexual yearnings of influential club member Hugo Fraser-Tyrwhitt.

  • GenreAdaptation, Drama, Romance, Thriller
  • CastDouglas Booth, Natalie Dormer, Sam Claflin, Freddie Fox, Sam Reid, Jessica Brown Findlay, Ben Schnetzer, Gordon Brown, Olly Alexander, Max Irons, Tom Hollander, Matthew Beard, Holliday Grainger, Jack Farthing.
  • DirectorLone Scherfig.
  • WriterLaura Wade.
  • CountryUK
  • Duration107 mins
  • Official sitewww.facebook.com/TheRiotClubUK
  • Release19/09/2014

The class war degenerates into foul-mouthed tirades and stomach-churning violence in Laura Wade's robust adaptation of her own coruscating stage play. Posh originated at the Royal Court Theatre in London in 2010 and was revived two years later in the West End, painting a vivid portrait of a fictional dining clique akin to the Bullingdon Club at Oxford University, which once included David Cameron, George Osborne and Boris Johnson in its notorious ranks. Lone Scherfig's film, retitled The Riot Club, packs a similar emotional wallop to its stage-bound predecessor, detonating pent-up testosterone and tempers with horrifying repercussions. Wade has fleshed out key protagonists and excised some scenes entirely to reduce the running time by 40 minutes. There seems to be a greater emphasis on the fledgling romance between the most likable male character and a down-to-earth northern lass (Holliday Grainger), who is dazzled by the dreaming spires and gushes, "Being at Oxford is like being invited to 100 parties all at once - and I want to go to all of them." The Riot Club is not a party most of us would wish to attend. But that's the point. Alistair Ryle (Sam Claflin) arrives at Oxford, hoping to emulate his older brother, a former president of the titular fraternity. This hush-hush 10-strong dining club honours the memory of its libidinous 18th century founder by boozing to excess at an annual dinner, trashing the venue and paying for the damages out of their trust funds. Given his lineage, Alistair is almost certain to catch the eye of Riot Club president James Leighton-Masters (Freddie Fox). However, it is dashing classmate Miles Richards (Max Irons) from more humble stock, who steals Alistair's thunder and arouses the homosexual yearnings of influential club member Hugo Fraser-Tyrwhitt (Sam Reid). Alistair and Miles pass initiation and are inducted into the ranks alongside Harry Villiers (Douglas Booth), Guy Bellingfield (Matthew Beard), Toby Maitland (Olly Alexander), Dimitri Mitropoulos (Ben Schnetzer) and George Balfour (Jack Farthing). The students head to a country pub run by Chris (Gordon Brown) and his daughter Rachel (Jessica Brown Findlay), who have no idea of the devastation about to be wrought. The Riot Club is a sobering attack on a culture of inherited privilege and power in Britain. Scherfig's film dissects how our egalitarian society is founded on secret handshakes in wood-panelled rooms far from the madding electorate, and you can almost see the venom streaking down the camera lens when one inebriated club member sneers, "I am sick to death of poor people!" The Danish filmmaker, who previously helmed the Oscar nominated coming of age story An Education, doesn't spare the morally repugnant characters any blushes. A climactic showdown is just as jaw-dropping in lurid cinematic close-up as it was from the safe distance of the theatre's upper circle.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014
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